I divided the adaptation studies and convergence culture up into two lists: 1a, this list, and 1b is all the comic book adaptation stuff in a list of its own. This list covers adaptation studies and convergence culture entries. There is so much crossover between the two it was just easier to put the convergence culture in with these. This list will cover the theoretical aspects of the adaptation process in general. What is parody, bio-evolutionary evolution of memes, etc. This list is heavier on the adaptation studies materials because I am looking at that angle more than the corporate control over intellectual property.
Boal, Augusto Theatre of the Oppressed 1979
Borham-Puyal, Miriam. “New Adventures in Old Texts: Gender Roles and Cultural Canons in Twenty-First-Century Mash-Ups” 2018
Biologically.” 2007 [[Bryce, Jane “African Futurism: Speculative Fiction and ‘Rewriting the Great Book’” 2019
Exploring Modern Hollywood's Leading Genre 2015 [[Burnett, Joshua Yu. “Isn’t Realist Fiction Enough?’: On African Speculative Fiction” 2019
Cattrysse, Patrick “Cultural Transduction and Adaptation Studies: The Concept of Cultural Proximity.” 2017
Connelly, Kelly “Defeating the Male Monster In Halloween and Halloween H20.” 2007
Cowie, Elizabeth “Woman as Sign” Feminism and Film“ 2000
Diehl, Laura “American Germ Culture: Richard Matheson, Octavia Butler, and the (Political) Science of Individuality.” 2013
Dillender, Kirsten “Land and Pessimistic Futures in Contemporary African American Speculative Fiction” 2020
Doane, Mary Ann “Woman’s Stake: Filming the Female Body.” 2000
Long, Jenny. “Symbolic Reality Bites: Women and Racial/Ethnic Minorities in Modern Film.” 2002
Fell, Margaret “Women’s Speaking Justified, Proved and Allowed by the Scriptures.” 2001
Fiske, John “Television: Polysemy and Popularity.” 1986
Grossman, Julie Literature, Film, and Their Hideous Progeny: Adaptation and Elaxtextity.
Hampton, Gregory J. Changing Bodies in the Fiction of Octavia Butler: Slaves, Aliens, and Vampires 2010.
Hansen, Miriam “Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship.” 2000
Helford, Elyce Rae “The Stepford Wives and the Gaze.” 2006
Hutcheon, Linda A Theory of Adaptation
—A Theory of Parody.
Jenkins, Henry Convergence Culture
—Comics and Stuff, New York UP, 2020
—Fans, Bloggers, and Gamers, New York UP, 2006.
Johnston, Claire “Women’s Cinema as Counter Cinema” 1987
Leitch, Thomas “What Isn't a Cross-Cultural Adaptation, and, if You Know that, then what Isn’t a Cross-Cultural Text?” English Literature, no. 5, 2018.
Mosley, Walter “Black to the Future” 1998
Öz, Seda “‘Bakhtinian Contextuality’ in Adaptation Studies: Screen Robinson Subverting the Source.” 2016
Rice, Jeff Digital Detroit: Rhetoric and Space in the Age of the Network 2012
Salazar, Philippe-Joseph “Our Rhetorical Tradecraft.” 2019
Sanders, Julie Adaptation and Appropriation. 2006
Spencer, Herbert “From The Philosophy of Style.” 2001
Swales, John “The Concept of Discourse Community.” 1990
Verene, Donald Phillip “Rhetorical Philosophy in a Difficult and Dangerous Time.” 2020
Whately, Richard “From Elements of Rhetoric.” The Rhetorical Tradition: Readings from Classical Times to Present]] 2001
Zwinger, Lynda “Blood Relations: Feminist Theory Meets the Uncanny Alien Bug Mother.” 1992
Ellestrom, Lars “Adaptation and Intermediality.”
Hassler-Forest, Dan “Roads Not taken in Hollywood’s Comic Book Movie Industry: Popeye, Dick Tracy, and Hulk.”
Hattnher, Alvaro “Zombies are Everywhere: The Many Adaptations of a Subgenre”
Johnson, Davis “Adaptation and Fidelity.”
Jones, William B. Jr. “Classics Illustrated and the Evolving Art of Comic-Book.”
Meikle, Kyle “Adaptation and Interactivity.”
Newell,Kate “Adaptation and Illustration: A Cross-Disciplinary Approach.”
Stam, Robert “Revisionist Adaptation: Transtextuality, Cross-Cultural Dialogism, and Performative Infidelities.”
Voigts, Eckart “Memes and Recombinant Appropriation: Remix, Mashup, Parody.”
Wilhite, Keith “Adaptation and Revision.”
Wong, Wendy Siuyi “The History of Hong Kong Comics in Film Adaptations: An Accidental Legacy.”
Cardwell, Sarah “Pause, rewind, replay: adaptation, intertextuality and (re)defining adaptation studies.”
Cook, Malcolm and Max Sexton “Adaptation as function of Technology and its Role in the Definition of Medium Specificity.”
Demory, Pamela “Queer Adaptation.”
Elliot, Kamilla “The theory of badadaptation.”
Krebs, Katja “Adapting Identities: Performing the self.”
Szwydky, Lissette Lopez “Adaptations, culture-texts and the literary canon: on the making of nineteenth-century classics.”
Demory, Pamela “Queer Adaptation.”
Voigts, Eckart “Memes, GIFs, and Remix Culture: Compact Appropriation in Everyday Digital Life.”