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        <description>Winner of the 2016 CCCC Advancement of Knowledge Award and the 2016 CCCC Research Impact AwardInStill Life with Rhetoric, Laurie Gries forges connections among new materialism, actor network theory, and rhetoric to explore how images become rhetorically active in a digitally networked, global environment. Rather than study how an already-materialized</description>
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        <description>Visual/Rhetoric Specialty Area 2

Rationale

This is the rhetoric and visual rhetoric list (Visual/Rhetoric). It compiles all the major works for rhet-comp-type rhetorical philosophy. I have brought in a few pieces that address racial and ethnic qualities of rhetoric. There are pieces to support the concept of a comic book discourse community. Other pieces help address convergence culture and adaptation studies in determining adaptation strategies and why they were employed. The visual rhetoric …</description>
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        <description>In Women's Irony: Rewriting Feminist Rhetorical Histories, author Tarez Samra Graban synthesizes three decades of feminist scholarship in rhetoric, linguistics, and philosophy to present irony as a critical paradigm for feminist rhetorical historiography that is not linked to humor, lying, or intention. Using irony as a form of ideological disruption, this innovative approach allows scholars to challenge simplistic narratives of who harmed, and who was harmed, throughout rhetorical history. Thre…</description>
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        <description>Abstract

This study presents a qualitative analysis on the representation of black women in comic books using a sociocultural approach to their production-release background. We study the X-Men mutant character Storm, whose path reinforces and questions the social roles these women enact. We state that the analysis of cultural assets aimed at entertainment, like comic books, helps us consider the relationship between gender and ethnicity in our society.</description>
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        <description>What is “digital rhetoric”? This book aims to answer that question by looking at a number of interrelated histories, as well as evaluating a wide range of methods and practices from fields in the humanities, social sciences, and information sciences to determine what might constitute the work and the world of digital rhetoric. The advent of digital and networked communication technologies prompts renewed interest in basic questions such asWhat counts as a text?andCan traditional rhetoric operate…</description>
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        <description>Dorothy Gale, a farm girl from Kansas, leads a ragtag band of men through a dangerous landscape, confronts a “Great and Terrible” wizard, assassinates a fearsome Wicked Witch, and goes on to form a long-term, mutually supportive sisterhood with the female leaders of this strange land. A few decades later, Princess Diana, popularly known as Wonder Woman, leaves behind a race of Amazons on Paradise Island, a land of peace, prosperity, and equality, to fight for “America, the last citadel of democr…</description>
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        <description>Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and he…</description>
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        <description>As Carole Stabile has suggested, “superhero narratives provide important places for imagining different here-and-nows; for defamiliarizing social problems and exploring them in a context that offers fresh insights and radical visions of the future.</description>
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        <description>Description

Drawing upon her long career as a formidable feminist critic yet wearing her knowledge lightly, Lillian Robinson finds the essence of wonder women in our non-animated three-dimensional world. This book will delight and provoke anyone interested in the history of feminism or the importance of comics in contemporary life.</description>
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        <description>Comic Book Adaptation/Convergence

Rationale

This list is basically list of the adaptation and convergence culture theory that is applicable specifically to comic book materials. A lot of the list touches on the cultural impact these comics have, others deal with the theories of adaptation and process in comic books. Convergence culture and adaptation studies are a big crossover area. I am interested in the way fans interact with comic books, and some of the choices are meant t reflect the audi…</description>
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        <description>Abstract: 

The multifaceted Galician artist, writer and politician Alfonso Daniel Rodriguez Castelao (1886-1950) has been considered a pioneer of Galician comics, or banda desenada. This is because of his key role in the development of the medium from his early comic strips in the magazine Vida gallega [Galician life] (1909), to the cartoons that he published in the press in the 1920s and 1930s. Furthermore, Castelao has become a comics character in several graphic biographies since the end of …</description>
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        <description>Abstract

Marjane Satrapi’s graphic novels Persepolis: The Story of a Childhood (2003) and
Persepolis 2: The Story of a Return (2004) —focused on her youth and early adulthood in Iran and
Austria— reveal in many ways the conflicting coexistence between the West —Europe and North
America— and the Middle East. This article explores feminist Orientalism and national identity
in both Satrapi’s works, with the purpose of demonstrating the manners that these comics
complicate and challenge binary divi…</description>
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        <description>With the objective of beginning to theorize graphic body studies, I
offer here an aesthetics of graphic cancer narratives and a taxonomy of
comics' aptness as a medium for the dynamic embodiment that is a shared
feature of diverse cancer experiences. First, representations of people in
comics are minimalist and figurai in their visual elements, a characteristic
with fascinating implications for reader-text intimacy. Comics also figure
the self as a visually dynamic presence that morphs from spec…</description>
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        <description>Through the previous intertextual and historical readings, this chapter developed upon how
the Western comic could follow popular trends and common conventions in the genre.
However, through this final portion of the chapter, it indicates how Western comics can
depart from generic norms, constructing a Western space that is much more subversive than
other forms of the genre. At a rhetorical level, the Western comic can allow the reader to
challenge the tropes and conventions of the Western (and …</description>
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