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- | Chapter 1 - p9 | + | ====== |
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+ | p9 | ||
This is by no means an unreasonable suggestion. As we shall | This is by no means an unreasonable suggestion. As we shall | ||
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light of such evidence, perhaps descriptions of Amazons are sim- | light of such evidence, perhaps descriptions of Amazons are sim- | ||
ply reflections of reality. | ply reflections of reality. | ||
+ | |||
+ | p13 | ||
+ | |||
+ | The mixoparthenos, | ||
+ | origin account, is particularly interesting because it is, as the | ||
+ | French classicist François Hartog has argued, a way for Greeks | ||
+ | to “think nomadism, | ||
+ | priate to a people who are, if not in their own minds, at least in | ||
+ | the minds of the Greeks, the archetypical nomads.13 Heracles is | ||
+ | the father of many cities and barbarian peoples.14 In this particu- | ||
+ | lar origin story, he is father of a people at the extreme ends of | ||
+ | the world. Herodotus tells us that he arrived in Scythia from | ||
+ | Geryon, who lived outside the Pontus at the edge of the world. | ||
+ | The geographic marginality of the Scyths is paralleled by their | ||
+ | marginal relationship to the human race. Their mother is only | ||
+ | part human: she belongs to the same order of half-human, half- | ||
+ | serpent creatures as Echidna, who in Hesiod’s Theogony, is born | ||
+ | of Phorkys and Keto. Echidna too has offspring, but they are | ||
+ | themselves monsters: Orthus (the dog of Geryon), Cerberus, the | ||
+ | Hydra of Lerna, and the Chimera, the Sphinx, and the Nemean | ||
+ | Lion. The Scyths are, like these monsters, utterly different from | ||
+ | the Greeks, that is, from full humanity. | ||
+ | |||
+ | p15 | ||
+ | |||
+ | Roman accounts do not deny female origin legends, but these | ||
+ | tend to be negative or sacrificial. The most significant is that | ||
+ | of Carthage, the city founded by Dido. Antiquity knew various | ||
+ | versions of Dido, just as it knew various versions of the origins | ||
+ | of the Scyths and other peoples. While in both traditions Dido | ||
+ | flees Tyre after her brother murders her husband, founds Car- | ||
+ | thage, and initiates its rise, the two accounts diverge greatly in | ||
+ | recounting her fate. In one version, Dido is an excellent queen | ||
+ | who only kills herself because, as an exemplary widow, she re- | ||
+ | jects the demands of her followers to marry a local prince. In | ||
+ | the other, which derives largely from Virgil, she commits suicide | ||
+ | out of mad and hopeless love for Aeneas, who has abandoned | ||
+ | her.18 In Virgil’s account, in the words of Christopher Baswell, | ||
+ | the “dominant version of the myth (the Aeneid), produced for a | ||
+ | dominant class,” Dido’s intelligence and shrewdness are sup- | ||
+ | pressed as part of a systematic suppression of Dido as model of | ||
+ | clever, mercantile and specifically feminine power.19 Not only | ||
+ | does she change into a mad, sex-crazed suicide from a chaste | ||
+ | widow who prefers death to a forced marriage, but her cleverness | ||
+ | and ingenuity in the foundation of Carthage disappears as well. | ||
+ | The alternative Dido survived in a shadowy existence, in ac- | ||
+ | counts by minor historians and Virgilian commentators, | ||
+ | emerge only at the end of antiquity, and she would not receive | ||
+ | a major voice until the Middle Ages. | ||
+ | |||
+ | p16 | ||
+ | |||
+ | Lucretia is the archetype: her rape, accusation against King | ||
+ | Tarquin the Proud, and suicide are the essential preludes to the | ||
+ | Republic.21 Parallel to the story of Lucretia is that of Verginia, | ||
+ | the daughter of Verginius, lusted after by the judge Appius | ||
+ | Claudius, the most powerful man in Rome. Claudius arranged | ||
+ | for one of his clients, Marcus Claudius, to claim her as his slave | ||
+ | and to bring the claim before his court. Her father, unable to | ||
+ | resist the powerful judge, asked a moment alone with her, only | ||
+ | to plunge his dagger into her heart, telling her, “In only this | ||
+ | way, daughter, can I defend your freedom.”22 Just as Lucretia’s | ||
+ | death gave birth to the Republic, Verginia’s death gives birth to | ||
+ | law.23 When Roman women are present at the beginning, they | ||
+ | do not live long. | ||
+ | |||
+ | ====== Chapter 2 ====== | ||
+ | |||
+ | |||
+ | p26 | ||
+ | |||
+ | Well into his history of the Goths, Jordanes, the sixth- | ||
+ | century author who claims to be summarizing a lost history by | ||
+ | Cassidorus, enters a long excursus on the valor of Gothic women | ||
+ | who, according to his tale, were actually the Amazons. He ex- | ||
+ | plains that after their menfolk had left on a military expedition, | ||
+ | they were drawn into battle by neighbors.1 Having been taught | ||
+ | by their men, they strongly resisted and defeated the enemy. Em- | ||
+ | boldened by their victory, they chose two among them, Lampeto | ||
+ | and Marpesia, as leaders. While Lampeto remained to defend | ||
+ | the borders of their own patria (a peculiar choice of words under | ||
+ | the circumstances), | ||
+ | Asia. Then follows a long account drawn primarily from Orosius | ||
+ | and Justin of the deeds of the Amazons up to the time of Alexan- | ||
+ | der the Great. Jordanes breaks off this narrative abruptly, how- | ||
+ | ever, to ask, “Why does an account concerning the men of the | ||
+ | Goths pay so much attention to women?”2 This is indeed an | ||
+ | interesting question, but Jordanes himself provides no answer: | ||
+ | instead he returns to the great and praiseworthy deeds of men. | ||
+ | |||
+ | p27 | ||
+ | |||
+ | An alternative response, not as naive as it may sound, is that | ||
+ | there actually were female warriors among the barbarian peoples | ||
+ | encountered by the Romans and Byzantines. Thus, as good eth- | ||
+ | nographers, Roman and post-Roman authors simply described | ||
+ | them. We mustn’t dismiss this possibility out of hand: Not only | ||
+ | do Amazons figure prominently in classical ethnographic ac- | ||
+ | counts and origin legends from the time of Herodotus through | ||
+ | the Middle Ages, but Roman accounts of campaigns against | ||
+ | Celtic and Germanic enemies regularly mention women on the | ||
+ | battlefield. Later, Avar and Slavic armies reportedly included | ||
+ | women.9 Warrior women figure in vernacular oral traditions and | ||
+ | emerge in both Scandinavian literature and in Middle High Ger- | ||
+ | man texts such as the Nibelungenlied and histories such as Saxo | ||
+ | Grammaticus’s Gesta Danorum.10 Finally, archaeological evi- | ||
+ | dence of women buried with weapons occurs widely. In Sauro- | ||
+ | matian-Sarmatian burials from the sixth to fourth centuries | ||
+ | B.C.E., archaeologists have found tombs of women buried with | ||
+ | swords and daggers and at least one skeleton of a young woman | ||
+ | bow-legged apparently from riding, supplied with a quiver con- | ||
+ | taining forty bronze-tipped arrows, an iron dagger, and hanging | ||
+ | around her neck, a leather pouch containing a bronze arrow- | ||
+ | head.11 From the early Middle Ages, some sixteen Avar women’s | ||
+ | graves were excavated in southern Slovakia that contained none | ||
+ | of the usual female ornaments and grave goods but instead | ||
+ | horses, normally typical of high-status men.12 Such finds have | ||
+ | led historians and archaeologists to conclude that women in no- | ||
+ | madic societies may well have had a military role that led to or | ||
+ | reinforced legends of Amazon warrior maidens. | ||
+ | |||
+ | p40 | ||
+ | |||
+ | However, Cosmas’s emplotment of the Amazons does not | ||
+ | simply adopt the classical tradition on which it draws. Unlike the | ||
+ | Amazonomachia—or indeed the grizzly slaughter in the Czech | ||
+ | language, the Dalimil Chronicle of 1314—the violence is re- | ||
+ | strained: the Amazons are not killed; they are married, albeit | ||
+ | with the violence of rape. The foundation of male rule is thus | ||
+ | more reminiscent of the Roman rape of the Sabine women than | ||
+ | the destruction of the Amazons. Nor is Libuše destroyed or even | ||
+ | condemned. Her power may be suspect, but she works for the | ||
+ | good of society. This is in a real sense Cosmas’s dilemma: wom- | ||
+ | an’s power may not conform to the proper order of the world, | ||
+ | but it both can be potent and can advance the cause of justice. | ||
+ | |||
+ | p42 | ||
+ | |||
+ | In conclusion, we see how malleable was the motif of Ama- | ||
+ | zons at the origins of peoples: Although firmly established as | ||
+ | part of the prehistory of peoples, what this prehistory meant | ||
+ | could change. It could be employed to criticize weak lordship, | ||
+ | but it could also criticize a society that because of its failings | ||
+ | needed stern authority. As its uses shifted with different social | ||
+ | and cultural motivations, | ||
+ | Cosmas is much less unambiguously opposed to the public role | ||
+ | of women than most previous or subsequent authors. His pow- | ||
+ | erful women belonged, unlike those of the third century, to a | ||
+ | world that was genuinely attractive even if it, in the end, had to | ||
+ | be destroyed in order for divinely willed order to be created. |